In a remarkable broadcast career spanning nearly fifty years, Lucy Jarvis has made her name by achieving the impossible. In 1963, she was in Moscow filming a documentary when the Cuban Missile Crisis erupted. Undeterred, Jarvis fired off a cable to the White House demanding that President Kennedy end his “little argument” so that she could continue shooting. Afterward, Kennedy joked: “I told Khrushchev if he got the missiles out of Cuba, I would get Lucy Jarvis out of the Kremlin!” The Kremlin was the first of many award-winning documentaries and specials that Jarvis would make for NBC News. Savvy, connected, indomitable, there were few doors that she could not pry open, from the restricted inner sanctums of the Louvre and Scotland Yard to the impenetrable (or so it seemed) enclave of China’s Forbidden City. Along the way, Jarvis also produced a string of investigative documentaries about the crucial social issues of our time, from gun control to drug abuse to the imbalances of the medical system. When she left NBC in 1976 to become an independent producer, Jarvis was one of the first women in history to launch her own production company. Through it all, she credits her success to motherly advice: “She made me believe there was nothing I couldn’t do, and I believed it and, therefore, did it.”(Paley Center for Media)
Monday, March 29, 2010
Lucy Jarvis
In a remarkable broadcast career spanning nearly fifty years, Lucy Jarvis has made her name by achieving the impossible. In 1963, she was in Moscow filming a documentary when the Cuban Missile Crisis erupted. Undeterred, Jarvis fired off a cable to the White House demanding that President Kennedy end his “little argument” so that she could continue shooting. Afterward, Kennedy joked: “I told Khrushchev if he got the missiles out of Cuba, I would get Lucy Jarvis out of the Kremlin!” The Kremlin was the first of many award-winning documentaries and specials that Jarvis would make for NBC News. Savvy, connected, indomitable, there were few doors that she could not pry open, from the restricted inner sanctums of the Louvre and Scotland Yard to the impenetrable (or so it seemed) enclave of China’s Forbidden City. Along the way, Jarvis also produced a string of investigative documentaries about the crucial social issues of our time, from gun control to drug abuse to the imbalances of the medical system. When she left NBC in 1976 to become an independent producer, Jarvis was one of the first women in history to launch her own production company. Through it all, she credits her success to motherly advice: “She made me believe there was nothing I couldn’t do, and I believed it and, therefore, did it.”(Paley Center for Media)
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Lucy Jarvis
Yoga Style: Gurmukh Kaur
Thursday, March 25, 2010
Tziporah and Debra
Wednesday, March 24, 2010
Advanced Style Artist: Malcah Zeldis
Yona writes," A good friend said to me, “Your mother is not just a great person, she’s a great event!” And it’s true. Her super-sized style is apparent in her art, her clothing and her décor. Born in 1931 and raised in Detroit, she spent nine years of her life in Israel, and returned to the United States in 1958 to settle in New York City. After raising my brother and me, she finally found the courage to pursue the life of an artist, a long held dream of hers. Although she did not study formally, she achieved her own form of expression with her brightly colored, densely packed oil paintings and gouaches, as well as with her sculptures, many of which were created using found objects. Today she has a thriving career which includes many museum shows (the Smithsonian and The Museum of American Folk Art are two high points), important private collections and numerous publications. I was always enchanted by the way she dressed and I can still remember outfits she wore back in the 1960s, when I was a small child. Some highlights: a pair of floor length cherry velvet evening pants (cut so full as to resemble a skirt) worn with a glittery purple belted tunic and long strands of red crystal beads, a wool coat in a black and white checkerboard pattern with black fox trim, a white, hand embroidered caftan from Israel, a cotton summer dress in a denim blue, with contrasting red stitching (there was a matching bow for her long black hair), a sleeveless shift in sky blue and brown, with what looked like a red, black and white target dead center. I loved her look back then, and I still love it today.
Monday, March 22, 2010
Another New Museum Gal
Sunday, March 21, 2010
Subtle Choices
Red On Madison Ave
Friday, March 19, 2010
Advanced Style Video: Carole's View
The ever amazing Lina Plioplyte has been collaborating with me to make videos of the wonderful men and women you have seen here on Advanced Style. This is her second video featuring one my favorite stylish gals Carole. Check out her You Tube account to see more of her work by CLICKING HERE.I hope you enjoy this peek into Carole's home.
Wednesday, March 17, 2010
Jenny's Style








Here are some more shots from my outing with Jenny to Grand Central Station, one of my favorite spots in New York. We had a great day people watching, talking about art, and taking photos.
Tuesday, March 16, 2010
Head To Toe Red
Style On The Upper West Side
Yesterday I stopped this stunning woman on the Upper West Side and asked her if I could take her photo. We talked about the New York Times article and she said that she loved what I was doing. I just love when women wear silk scarves in the hair and this woman's pink lipstick is an added touch of flair to her chic outfit.
Museum Style
Monday, March 15, 2010
Advanced Style Vide: Debra On The Importance of Color
One of the amazing perks of what I do is that I get to meet and hang out with wonderful people like Debra. I am constantly inspired by her creativity and the way she embraces aging with a sense of freedom and air of confidence. In this video she is talking about the subtleties of color changes and transitions and how these principals relate to style. Feel free and email Debra at Debrathenutritionista@gmail.com !
Sunday, March 14, 2010
Debra in Tribeca
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